Suchergebnisse
Filter
11 Ergebnisse
Sortierung:
Design and crime: and other diatribes
In: Radical thinkers
Towards a Grammar of Emergency
In: New left review: NLR, Heft 68, S. 105-119
ISSN: 0028-6060
The work of Thomas Hirschhorn as artistic primer for a precarious world. Appeals for explanation and engagement in makeshift monuments or plaintive placards, while overflowing installations lay bare the excesses of late capitalism. Adapted from the source document.
On the First Pop Age
In: New left review: NLR, Heft 19, S. 93-114
ISSN: 0028-6060
SECOND SERIES - MARCH APRIL 2001 - BOOK REVIEWS - Art Agonistes
In: New left review: NLR, Band 2, Heft 8, S. 140-149
ISSN: 0028-6060
Wild Signs: The Breakup of the Sign in Seventies' Art
In: Social text, Heft 21, S. 251
ISSN: 1527-1951
Junkspace with running room
Posthumanism in Art and Science: A Reader
Frontmatter -- CONTENTS -- Introduction -- PART I Post-Identity Politics -- Chapter One Interview with Cassils -- Chapter Two From SF -- Chapter Three From Nomadic Theory (2011) -- Chapter Four From Towards a New Class of Being -- Chapter Five A Feminist Genealogy of Posthuman Aesthetics in the Visual Arts (2016) -- Chapter Six Animality and Blackness (2020) -- Chapter Seven Asserting Aboriginal Territories in Cyberspace -- Chapter Eight From Posthumanism and the Graphic Novel in Latin America (2017) -- Chapter Nine Witnessing Animals -- Chapter Ten Video Dog Star -- Chapter Eleven Interview with Garry Marvin -- Chapter Twelve From Plant Thinking -- Chapter Thirteen A Program for Plants (2016) -- Chapter Fourteen No Manifesto (1965, 2008) -- PART II Material Dimensions -- Chapter Fifteen Interview with Nandipha Mntambo -- Chapter Sixteen Locating Me in Order to See You (2007) -- Chapter Seventeen From The Rendered Material of Film Stock (2009) -- Chapter Eighteen Interview with Heide Hatry -- Chapter Nineteen On Some Limits of Materiality in Art History (2008) -- Chapter Twenty Elephants in the Room -- Chapter Twenty-One From Second Skins -- Chapter Twenty-Two Hunting and Gathering as Ways of Perceiving the Environment (2012) -- Chapter Twenty-Three Super-natural Futures -- Chapter Twenty-Four Rhythms of Relation -- Chapter Twenty-Five Proliferation, Extinction, and an Anthropocene Aesthetic (2017) -- Chapter Twenty-Six Interview with Graham Harman -- Chapter Twenty-Seven From Dark Ecology (2016) -- Chapter Twenty-Eight From What Is the Measure of Nothingness? -- PART III Registering Interconnectedness -- Chapter Twenty-Nine Interview with Kathy High -- Chapter Thirty From Writing Machines (2002) -- Chapter Thirty-One From Unexpress the Expressible (2012) -- Chapter Thirty-Two Introduction to Nocturnal Fabulations -- Chapter Thirty-Three Posthuman Performance (2010) -- Chapter Thirty-Four Critical Relationality -- Chapter Thirty-Five Ecosex ManiFesto (2011) -- Chapter Thirty-Six Interview with Jane Bennett -- Chapter Thirty-Seven Interview with Pauline Oliveros -- Chapter Thirty-Eight Animals, Nostalgia and Zimbawe's Rural Landscape in the Poetry of Chenjerai Hove and Musaemura Zimunya (2016) -- Chapter Thirty-Nine Waiting for Gaia -- Chapter Forty Interview with Newton Harrison -- Chapter Forty-One Seeds = Future (2013) -- PART IV Emerging Ecologies -- Chapter Forty-Two Interview with Katherine McKittrick: (2021) -- Chapter Forty-Three Interview with Doo-Sung-Yoo -- Chapter Forty-Four Interview with Kelly Jazvac -- Chapter Forty-Five A Questionnaire on Materialisms -- Chapter Forty-Six Art as Remembrance and Trace in Post-Conflict Latin America (2016) -- Chapter Forty-Seven Interview With Manuela Rossini -- Chapter Forty-Eight African Afro-futurism -- Chapter Forty-Nine Whose Anthropocene? A Response (2016) -- Chapter Fifty Unruly Edges -- Chapter Fifty-One The Rise of Cheap Nature (2016) -- Chapter Fifty-Two From Forensic Architecture -- Chapter Fifty-Three Letters to Dear Climate (2017) -- Coda -- LIST OF CONTRIBUTORS -- INDEX